THE AESTHETICS AT THE ROCK CRITIC’S FUNERAL My self-identified role as a curator of popular music is one that I’ve gradually been shedding, part from changed perspective, part from failure to sustain a meaningful audience. That’s a fancy way of saying that when so many people don’t give a shit, they start to seem convincing after a spell. I ran out of gas. I felt tapped for maintaining blogs and that kind of shit. For years I had some tangible connection to the ‘industry’ that made me feel, I dunno – active? relevant? I ran a really good record store. I wrote for a major metropolitan newspaper. I wrote for various reasonably high circulation periodicals. I appeared frequently on public radio stations. But when my record store died after 52 years (I was there for 39 of them) and the newspaper gave the axe to freelancers, I lost my base, if you will. Sure, people tell me they miss the store. Or my reviews. And it’s nice. But these ripples of awareness are dr...
Music writing (and cultural commentary) for today's oddball.