Skip to main content

Today, the Whiffs

Yesterday I called L.A.’s Starcrawler the greatest rock ’n’ roll band in the world. 

Today, it’s the Whiffs. 

A power-pop band from Kansas City. I recommend the Whiffs if you like Norwegian black metal. Not because they sound like Mayhem or Gorgoroth, but because there are laws against church burning and the Whiffs would never incite such a thing. Their songs are about various stages of infatuation, the yoozh for power-pop. Cheery melodies in bright keys with sprightly tempi tend not to mulch into diatribes against the Caliphate. Although a lot of shit rhymes with Caliphate … hmm (I can hear Joey Ramone rhyming Caliphate with ‘too late.’). But clearly, I digress. 

Take a Whiff is a blast. Eight shots of tuneful adrenaline. Okay, one song is ALMOST three minutes - a veritable jam. But you can fade it out. No problem (kidding). Not a token slow dance dragger on this puppy. Mid-tempo and up-tempo. There’s never a reason for a pop band to do a slow song unless it’s poetic and melodically gorgeous - pull that off, fine. But how many Brian Wilsons are there, anyway?

Let's hear a track by the Whiffs, eh? 

They’ve been compared to Big Star. Nah. More like a cross between the Ramones and Shake Some Action-era Flamin’ Groovies. I hear a resemblance to the Zeros, and similarities to Glitz (check them out … if you can find anything by them, no YouTube, no Apple Music). The Whiffs are professed fans of the late great Exploding Hearts, which I get, I hear, yup … except Zach Campbell, Rory Cameron, and whoever else sings don’t go for that Mick Jones-y transatlantic chirp-yowl that Adam Cox favored. More true to their American roots in that department. 


Cameron is known to KC audiences as the frontman for the Conquerors (above video), another cool band, that started out kinda psych-jammy (think Spaceman 3 maybe?) and gravitated to a bit more manicured and Beatlesque take on the same turf covered by the Whiffs. He’s a talent. Anything he does is interesting because he’s one of those guys who knows how to construct a song, not just come up with a melody. 

The Whiffs rock out some nice pop tunes. Take a Whiff has a nice mid-fi, bash it out, live or close to it feel. Shit sounds great in the car, tuned up loud. 


And yes, their logo pays homage to Stiff Records. Thought I’d better mention that before some pinhead tries to inform me. 


Comments

The people have spoken.

Wire is having a 40th anniversary. Yes, I feel old.

"Editor's" Note: One Mr. Colin Newman of Brighton observes that it is he who plays most of the keyboards on recordings by Wire. I'm not sure where, or if, I indicated otherwise, but Mr. Newman's contributions (in the studio and to SPEW'S accuracy) are noted. He is certainly an authority on the subject.  Wire is celebrating the 40th anniversary of their debut Pink Flag with the release of their fifteenth studio album Silver/Lead.   Wire’s first three records, Pink Flag, Chairs Missing, and 154 formed a blueprint for much of what came next in the wake of punk; showing how the drive and anger could be channeled beyond the roar and rage. Wire did, however, share with the Pistols a sense of the absurd. Uncomfortable with the conventions of rock, Wire set about reworking and subverting rock ’n’ roll. From Flag’s short, sharp blitz of songs to the more Kraut-Floyd atmospheres of Chairs Missing, to 154’s dark consolidation of Wire’s elements (immaculately...

Better Ed than Dead

Ed Sheeran - He looks like Van Morrison, kinda, huh? Check the tats.   Ed Sheeran is the highest paid entertainer on the planet. I think. I don’t know. They say he’s worth 65 million. Anyway, I read that somewhere. God knows he travels light and doesn’t have to share that dough with an orchestra or anything. I saw Ed once. At least that I’m aware of. He opened for the Rolling Stones in 2015 (or was it 16?) at Arrowhead Stadium in Kansas City. Just me and several thousand of my closest friends. He came out with a guitar in front of that throng and mesmerized the crowd. Okay, not really. Some kids seemed to like him. Old people, eighty percent of the attendees, treated him as a curiosity or mild irritant, not uncommon for a warmup act served up before the Stones’ Lions and Christians, bread and circuses exhibition. Later, he sang “Beast of Burden” with Mick. He was better than Dave Matthews. I see his ruddy little mug and tousled ginger top here and there in the ...