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(Steven J Wilson)

 I wrote a column called DITB (Down in the Basement) for the Tornado, the greatest community newspaper ever with a four-month lifespan. I didn’t exactly write reviews. I had other people do that; I edited them. Nope, I just kinda went on about whatever was on my mind at the time related to popular music. DITB was probably the first place outside of New York or London where someone raved at length about the Strokes. I went on for a few hundred words about Weezer once. I have no idea what inspired that. 

DITB did follow the rules of journalism. I did my best to research shit. Fact check. Include details. I guess that is where SPEW will divert from DITB. For SPEW I fully intend to forget names, get facts wrong, neglect to give complete titles, and otherwise write irresponsibly. 

Reverberations is the name of my music blahg. Reverberations dates from my days at the KC Free Press, the best online KC news and culture resource ever with a four-month lifespan. See a theme emerging? My late friend Greg Trooper (a wonderful singer-songwriter) used to joke that every label he ever recorded for went out of business. Anyway, I guess I’m the Greg Trooper of rock writing. If I am, being the Greg Trooper of anything is a pretty great thing to be. 

Sometimes I get together with my old pals Nate and Doug. We get addled and play music real loud - introduce selections breathlessly and profanely, prioritize bad humor over analysis, and generally have a gay old time blasting tunes. SPEW is rock writing in that spirit. Call it expressionism. Call it shit. Call it a waste of time. If you get a kick out of it, read it.


SPEW is made possible by Apple Music, which has saved me from the ignobility of illegal downloading. God knows I can’t afford all the goddamn records I intend to write about. 

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The people have spoken.

The Dream Syndicate make a pretty awesome new album. Let us now praise not all that famous men (and a woman) ...

(Steven J Wilson)
  Let’s talk about the Dream Syndicate. They have a new album on Anti-Epitaph. You know, what gradually became viewed as Steve Wynn’s band. Until it was, well, Steve Wynn’s band and he had a solo career. Sigh. The guy has never made a shitty record. Some are better than others, but so are your mornings. Anyway, let’s talk about the Velvet Underground. You know you want to. Everybody does. They were great. Yup. They made a mindfuck of a debut album that set the template for everything left of center since. But damn it, in 2017 people get to have a variety of opinion about which of their four ( VU being almost a fifth, the others being live records) being the best Velvets album.  Among the tiny brain trust of alternative media, no such discussion is allowed when it comes to the Dream Syndicate. Nope, they made a revelatory debut (and their debut is most like the VU’s debut - not insignificant, since the Velvets were an acknowledged inspiration to the DS) - then it all went do
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SPEW pronounces the 21st-30th best albums of 2017. Shazam!

(Steven J Wilson)
21.     Wire – Silver/Lead (Pink Flag)           Wire are one of my staples, consistent and consistently surprising: https://spewrocks.blogspot.com/search?q=wire 22.     John Murry – A Short History of Decay (TV)          And then I wrote … https://spewrocks.blogspot.com/search?q=john+murry 23.     Whiffs – Take a Whiff (High Dive)           I liked it then https://spewrocks.blogspot.com/search?q=whiffs … I like it now.   24.     Aldous Harding – Party (4AD) Not that anyone asked, but if Aldous Harding reminds me of any of her contemporaries, it’s Cate LeBon. They both have this striking ability to swing from the confidential to the bel canto stentorian more than once over the course of an album. Harding’s songs, mostly accompanied by her guitar and piano, are koan-like without being obscure. Harding uses space deftly, yet her spare arrangements sound full, partly because her voice is so personal and pre-possessing. I’ve seen Party described as everythin
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Cancer Rising, Goodnight Grant, So Long Jessi

(Steven J Wilson)
A few weeks back my urologist cut something out of my bladder. A papillary carcinoma, I think it is called. One more box to tick off on my Medical History, one more reason I’ll never buy life insurance: Cancer. Oh, I’m alright. Doc’s pretty sure they “got it.” Of course, having a cam and a cutter crammed up my prick may be a little more frequent feature of my life. But, so it goes. It goes, that is, until you’re gone. Grant Hart is gone. 56, cancer. Jessi Zazu is gone. 28, cancer. I scroll through my Facebook friends – Jesus, lots of gone ones. Most gone to cancer. Devin, Greg – hell, so many. Shit’s in my family, too. My in-laws and my sister-in-law have had their battles with the stuff. My mom was lost to cancer, at 73. She’d be 100 in October. My dad followed her three years later; he was 87. He would have been 109 yesterday if he was from the Caucasus Mountains and ate lots of yogurt. Cancer? Nope. Heartbreak. It happens. Saul Bellow understood. Oh,
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