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(Steven J Wilson)

 I wrote a column called DITB (Down in the Basement) for the Tornado, the greatest community newspaper ever with a four-month lifespan. I didn’t exactly write reviews. I had other people do that; I edited them. Nope, I just kinda went on about whatever was on my mind at the time related to popular music. DITB was probably the first place outside of New York or London where someone raved at length about the Strokes. I went on for a few hundred words about Weezer once. I have no idea what inspired that. 

DITB did follow the rules of journalism. I did my best to research shit. Fact check. Include details. I guess that is where SPEW will divert from DITB. For SPEW I fully intend to forget names, get facts wrong, neglect to give complete titles, and otherwise write irresponsibly. 

Reverberations is the name of my music blahg. Reverberations dates from my days at the KC Free Press, the best online KC news and culture resource ever with a four-month lifespan. See a theme emerging? My late friend Greg Trooper (a wonderful singer-songwriter) used to joke that every label he ever recorded for went out of business. Anyway, I guess I’m the Greg Trooper of rock writing. If I am, being the Greg Trooper of anything is a pretty great thing to be. 

Sometimes I get together with my old pals Nate and Doug. We get addled and play music real loud - introduce selections breathlessly and profanely, prioritize bad humor over analysis, and generally have a gay old time blasting tunes. SPEW is rock writing in that spirit. Call it expressionism. Call it shit. Call it a waste of time. If you get a kick out of it, read it.


SPEW is made possible by Apple Music, which has saved me from the ignobility of illegal downloading. God knows I can’t afford all the goddamn records I intend to write about. 

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Jessica Lea Mayfield's unapologetic "Sorry is Gone"

(Steven J Wilson)
Jessica Lea Mayfield, of Kent, Ohio, released her first album With Blasphemy so Heartfelt ( produced by Dan Auerbach, fellow Ohioan) at the tender age of nineteen. I missed it. I probably shouldn’t have.   Her second Auerbach (Black Keys) produced record Tell Me arrived in 2011 when she was 22, 23 maybe. I listened to it. I heard talent. But somehow the combination of songs, performance and production didn’t really hook me.   Never bothered with her alleged grunge-rock record, the two previous had been loosely in the roots-rock/Americana idiom, called Make My Head Sing . No Dan Auerbach. I don’t know who produced it, but Mayfield described it loosely as dedicated to one of her favorite artists, Dave Grohl. Not being a huge fan of the Zelig of contemporary rock, that dedication probably soured me on the project. Sorry. For me and Jessica it was a matter of timing. The time is now. And the record is Sorry is Gone. Which is pretty great.   Mayfield and pr...
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The death and future of punk, pt. 37, THE IDLES

(Steven J Wilson)
The Idles are from Bristol. The one in England, not Connecticut. They’ve been plunkin’ about since 2012, but their first album was released this year. It’s called Brutalism.   The cover features a photo of singer Joe Talbot’s mother, whom Talbot cared for in the last years of a long illness, mounted above a stark shrine constructed by Talbot and his father. These are placed in the corner of a bare room with brick floors and white painted brick and stone walls. It has the barren, but emotionally loaded austerity of Joseph Beuys work. It’s an eerily   perfect image for an album entitled and themed around the notion of brutalism.   Ever seen this movie called My Architect? It’s about the architect Louis Kahn, revealed through the eyes of his sometimes estranged son, Nathaniel Kahn. It’s heartrending, as a dad and lad tale, in its austere, sadly masculine way. The younger Kahn, as a budding filmmaker, with a heavy, still hurting heart find the beauty in his father...
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SPEW crowns the 41st - 50th best Albums of 2017. Wowzers!

(Steven J Wilson)
Here it is, ladies and gents and humans of all genders and description! Your BEST ALBUMS OF 2017. * Okay, not really. It's 41-50. Hey, pretty damn good records. It's a competitive world.  41.   Chain and the Gang – The Best of Crime Rock (In the Red) 42.   Protomartyr – Relatives in Descent (Domino) 43.   Vivienne – STUD  (Objects Ltd.) 44.   Flamin’ Groovies – F antastic Plastic (Severn) 45.   Kyle Craft – Girl Crazy (Sub Pop) 46.   Bully - Losing    (Sub Pop) 47.   Idles – Brutalism (Balley) 48.   Lee Ranaldo – ElectricTrim  (Mute) 49.   James Elkington – Wintres Woma ( Paradise of Bachelors) 50.   Filthy Friends – Invitation (Kill Rock Stars) Let's have a look: Ian Svenious has been a savvy mainstay of Ameri-indie in the post-hardcore era (you know, like, the last thirty years), with groups like Nation of Ulysses, Make-Up (the ...
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