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No. 10 - Inheaven - s/t (Pias) Okay, a tie with Alan Vega - It ... SPEW's top 10 countdown

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(Steven J Wilson)
It’s a big, blustery sound south London’s InHeaven make. A sound sonically descended from the buzz of the late Eighties, sometimes like Jesus and Mary Chain, sometimes Nirvana, or even Smashing Pumpkins and all that shit. 

 What I mean is, you can’t imagine this particular sonic blast, given aesthetics and technology, before the late Eighties. It’s already dated, right? At least in this age of indie retro-twee and hip-hop. But that’s part of its audacity. Brazen in its’ sheer rock-is-bloody-king quality. Suck on it. 


 Julian Casablancas likes them. He released their “Regeneration” single on his Cult Records label. 
A proper RAWK band - look at them!
Little Steven likes them. He’s been blasting their bracing, horn-adorned track “Baby’s Alright” on the Underground Garage. 

 When I first heard "Baby's Alright" on the radio, I thought - wtf … is this some strange lovechild of the Small Faces and Cheap Trick? It is, sorta. And it’s also rocking to the max. Moments of dream-pop respite, like “Do You Dream,” soften the blow, but for the most part this is a blast from the hard rock past. Bassist Chloe Little and guitarist James Taylor (ha ha ha) share and trade vocals - hers an anomic purr, his Brit-pop sincere, but the guitars never lose their snarl, or the rhythm section its punch.  


If I had guilty pleasures, I suppose this could be one. But I don’t. This record is a fucking blast of fresh air at eight miles per hour on a cool, grey day. No apologies necessary.
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Cancer Rising, Goodnight Grant, So Long Jessi

(Steven J Wilson)
A few weeks back my urologist cut something out of my bladder. A papillary carcinoma, I think it is called. One more box to tick off on my Medical History, one more reason I’ll never buy life insurance: Cancer. Oh, I’m alright. Doc’s pretty sure they “got it.” Of course, having a cam and a cutter crammed up my prick may be a little more frequent feature of my life. But, so it goes. It goes, that is, until you’re gone. Grant Hart is gone. 56, cancer. Jessi Zazu is gone. 28, cancer. I scroll through my Facebook friends – Jesus, lots of gone ones. Most gone to cancer. Devin, Greg – hell, so many. Shit’s in my family, too. My in-laws and my sister-in-law have had their battles with the stuff. My mom was lost to cancer, at 73. She’d be 100 in October. My dad followed her three years later; he was 87. He would have been 109 yesterday if he was from the Caucasus Mountains and ate lots of yogurt. Cancer? Nope. Heartbreak. It happens. Saul Bellow understood. Oh,...
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2019 (Before I forget)

(Steven J Wilson)
2019 (Before I forget) 2019 Records I Like the Most  Released in 2019: Wives - So Removed @@ Fontaines DC - Dogrel %% Kate Tempest - The Book of Traps and Lessons ## Stella Donnelly - Beware of the Dogs ## Peter Perrett - Human World @@ Mattiel - Satis Factory @@ Tough Shits - Burning in Paradise @@ Felice Brothers - Undress @@ Robert Forster - Inferno ## Danny Brown -uknowhatimsayin %% %% Records I Like that Lots of Other Know-it-Alls Like: Angel Olsen - All Mirrors Jessica Pratt - Quiet Signs FKA  Twigs - Magdalene Charly Bliss - Young Enough Sharon Van Etten - Remind Me Tomorrow Refused - War Music Aldous Harding - Designer Better Oblivion Community Center - s/t Black Midi - Schlagenheim Cate LeBon - Reward Raconteurs - Help Me, Stranger Sturgill Simpson - Sound and Fury Rhiannon Giddens - There is No Other Bruce Springsteen – Western Stars ## Records I Like That A few Know-it-Alls Like: Mick Trouble - Here’s The Mick Trouble Lp T...
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EMA is Ericka M. Anderson. Exile in the Outer Ring is her vision of American despair and marginalization. Yup.

(Steven J Wilson)
When I selected Past Life Martyred Saints as my top album of 2011, Ericka M. Anderson was straight out of the American underground, not an artist widely recognized. EMA, professionally and for short, had released material with two groups, Amps for Christ and the Gowns, but PLMS was her solo debut, and it was on a small label called Souterrain Transmissions. If you want a little background, here’s a link to my original review and my 2011 Top 25: http://stevemahoot.blogspot.com/search?q=past+life+martyred+saints With the 2014 release of The Future’s Void, EMA consolidated her stature as an artist to be reckoned with. After the viscerally powerful PLMS, Void w as a colder, more technocratic vision. Like it’s ambiguous title, the music conveyed a vision of a sterile and oppressive near tomorrow, like something out of a William Gibson novel, humanity struggling with the powers of its own creation, with the alienations of the internet age. Void’s slabs of distorted sounds were...
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