SPEW

2019 (Before I forget) 2019 Records I Like the Most  Released in 2019: Wives - So Removed @@ Fontaines DC - Dogrel %% Kate Tempest - The Book of Traps and Lessons ## Stella Donnelly - Beware of the Dogs ## Peter Perrett - Human World @@ Mattiel - Satis Factory @@ Tough Shits - Burning in Paradise @@ Felice Brothers - Undress @@ Robert Forster - Inferno ## Danny Brown -uknowhatimsayin %% %% Records I Like that Lots of Other Know-it-Alls Like: Angel Olsen - All Mirrors Jessica Pratt - Quiet Signs FKA  Twigs - Magdalene Charly Bliss - Young Enough Sharon Van Etten - Remind Me Tomorrow Refused - War Music Aldous Harding - Designer Better Oblivion Community Center - s/t Black Midi - Schlagenheim Cate LeBon - Reward Raconteurs - Help Me, Stranger Sturgill Simpson - Sound and Fury Rhiannon Giddens - There is No Other Bruce Springsteen – Western Stars ## Records I Like That A few Know-it-Alls Like: Mick Trouble - Here’s The Mick Trouble Lp T...

In the first six months of 2019, these sixty-six recordings impressed me favorably. Some of them I'll rarely listen to again. Some will become old friends. The ten in bold stand out a bit from the rest of the pack. I haven't been of a mind to write record reviews for some time now. However, if you want my spontaneous two cent's worth on any of these titles, I'll be happy to give you a quick take to affirm, bolster my support. In no particular order: 21 Savage – I am > I was Kel Assouf – Black Tenere Deerhunter – Why Hasn’t Everything Disappeared Divine Comedy – Office Politics Stella Donnelly – Beware of the Dogs Dream Syndicate – These Times Du Blonde – Lung Bread for Daddy Willie Farmer – The Man from the Hill Felice Brothers – Undress Flesheaters – I Used to be Pretty https://www.youtube.com/watch?v=vppn_T5b_Lo Fontaines D.C. – Dogrel Fleshtones – Budget Buster Robert Forster – Inferno Better Oblivion Community Center – s/t B...

Back in the day, one of the little thrills of working at Kief’s (it was a record store, eh) was opening the boxes from an import distributor like Jem and rifling through the fresh forty-fives from the U.K. Having seen a listing for a single by a new group called the Only Ones that sounded appealing, I included it on an order in 1977.   Released on the band’s own Vengeance label, it was a curious packaging, a black sleeve with a grainy black and white photo on one side, depicting a band of mismatched misfits, including guitarist John Perry in a form-fitting, less than flattering fishnet onesie. Front and center in the photo, as he was on stage and in the studio, was a young songwriter named Peter Perrett - tousled hair, dour expression, black sleeveless shirt.   This is curious, thought I.   Quickly “Lovers of Today” went to the turntable for audition.   It was one of those moments. Everything about it was perfect. Great intro, a sinister a-part, decorate...