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2019 (Before I forget)

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(Steven J Wilson)

2019 (Before I forget)
2019

 Records I Like the Most  Released in 2019:
Wives - So Removed @@
Fontaines DC - Dogrel %%
Kate Tempest - The Book of Traps and Lessons ##
Stella Donnelly - Beware of the Dogs ##
Peter Perrett - Human World @@
Mattiel - Satis Factory @@
Tough Shits - Burning in Paradise @@
Felice Brothers - Undress @@
Robert Forster - Inferno ##
Danny Brown -uknowhatimsayin %%

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Records I Like that Lots of Other Know-it-Alls Like:
Angel Olsen - All Mirrors
Jessica Pratt - Quiet Signs
FKA  Twigs - Magdalene
Charly Bliss - Young Enough
Sharon Van Etten - Remind Me Tomorrow
Refused - War Music
Aldous Harding - Designer
Better Oblivion Community Center - s/t
Black Midi - Schlagenheim
Cate LeBon - Reward
Raconteurs - Help Me, Stranger
Sturgill Simpson - Sound and Fury
Rhiannon Giddens - There is No Other
Bruce Springsteen – Western Stars



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Records I Like That A few Know-it-Alls Like:
Mick Trouble - Here’s The Mick Trouble Lp
Titus Andronicus - An Obelisk
75 Dollar Bill - I was Real
Tacocat - This Mess is a Place
Mdou Moctar - Ilana (The Creator)
Joan Shelley - Like the River by the Sea
Du Blonde - Lung Bread for Daddy
Sam Fender - Hypersonic Missiles
Raphael Saadiq - Jimmy Lee
Adia Victoria - Silences
Lillo - Because I Love You
Nick Cave - Ghosteen
Freddie Gibbs and Madlib - Bandana


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Records I like that were by and large ignored by know-it-alls:
Chastity - Homemade Satan
Who - The Who
Chuck Mead - Close to Home
Denzel Curry - Zuu
Toby Hay - New Music for the 12 String Guitar
Kel Assouf – Black Tenere
Fleshtones – Budget Buster
Bellows – the Rose Gardener
Offset – Father of 4
Mystery lights – Too Much Tension
NOX Boys – out of Touch
Sebadoh – Act Surprised
21 Savage I am > I was
Emerson Snowe – That’s Rock n Roll
Andrew Wasylyk – Paralian
Mike – Tears of Joy
Thea Gilmore – Small World Turning
Summer Cannibals – Can’t Tell Me No
Westside Gunn – Flygod is an Awesome God
Catenary Wires – To the Morning
Nicole Yun – Paper Suit
Josienne Clark - In All Weather
Comet Gain - Fireraisers, Forever!
Kyle Craft - Showboat Honey
Deerhunter - Why Hasn’t Everything Already Disappeared?
Ruby Fields - Permanent Hermit
Ezra Furman - Twelve Nudes
Future - Save Me
Cavemen - Night After Night
Jesse Malin - Sunset Kids
Lankum - The LiveLong Day
Flesheaters - I Used to be Pretty 
Headland - What Rough Beast
Murder City Capital - When I Have Fears
Jimmy “Duck” Holmes - Catfish Blues
Cass McCombs - Tip of the Sphere
J.S. Ondara - Tales of America
Redd Kross - Beyond the Door
Mavis Staples - We Got by
Emerson Snowe - That’s Rock ‘n’ Roll
Vandoliers - Forever
Yawpers - Human Question
Whiffs - Another Whiff
Chelsea Wolfe - The History of Violence
Queen of Jeans - If You’re Not Afraid, I’m Not Afraid
Kacy & Clayton - Carrying On
Joseph - Good Luck, Kid
Willie Farmer - Man from the Hill
Mekons - Deserted
Patty Griffin - s/t
Mavi - The the Sun Talk
Earl Sweatshirt - Some Rap Songs
Young Thug - So Much Fun
JPEGMAFIA - All of My Heroes are Cornballs
Guided by Voices - Zeppelin Over China -AND- Warp & Woof -AND- Sweating The Plague by Guided by Voices


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The people have spoken.

Wire is having a 40th anniversary. Yes, I feel old.

(Steven J Wilson)
"Editor's" Note: One Mr. Colin Newman of Brighton observes that it is he who plays most of the keyboards on recordings by Wire. I'm not sure where, or if, I indicated otherwise, but Mr. Newman's contributions (in the studio and to SPEW'S accuracy) are noted. He is certainly an authority on the subject.  Wire is celebrating the 40th anniversary of their debut Pink Flag with the release of their fifteenth studio album Silver/Lead.   Wire’s first three records, Pink Flag, Chairs Missing, and 154 formed a blueprint for much of what came next in the wake of punk; showing how the drive and anger could be channeled beyond the roar and rage. Wire did, however, share with the Pistols a sense of the absurd. Uncomfortable with the conventions of rock, Wire set about reworking and subverting rock ’n’ roll. From Flag’s short, sharp blitz of songs to the more Kraut-Floyd atmospheres of Chairs Missing, to 154’s dark consolidation of Wire’s elements (immaculately...
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The death and future of punk, pt. 37, THE IDLES

(Steven J Wilson)
The Idles are from Bristol. The one in England, not Connecticut. They’ve been plunkin’ about since 2012, but their first album was released this year. It’s called Brutalism.   The cover features a photo of singer Joe Talbot’s mother, whom Talbot cared for in the last years of a long illness, mounted above a stark shrine constructed by Talbot and his father. These are placed in the corner of a bare room with brick floors and white painted brick and stone walls. It has the barren, but emotionally loaded austerity of Joseph Beuys work. It’s an eerily   perfect image for an album entitled and themed around the notion of brutalism.   Ever seen this movie called My Architect? It’s about the architect Louis Kahn, revealed through the eyes of his sometimes estranged son, Nathaniel Kahn. It’s heartrending, as a dad and lad tale, in its austere, sadly masculine way. The younger Kahn, as a budding filmmaker, with a heavy, still hurting heart find the beauty in his father...
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Mississippi: Old Times There are Not Forgotten

(Steven J Wilson)
The deeper you dig the more tenacious the lies. How could it be otherwise when you start with slavery as a cornerstone of the Southern and let’s be honest - American economy? Chattel slavery is the ethic of capitalism taken to its ugliest, terminal conclusion. If labor is a commodity to be bought, why not introduce the option to buy and sell and eliminate as much as possible the requirements of remuneration? It’s just business.   Once an economy is built on such a repulsive foundation what good could come from it? And now The Peculiar Institution lives on. Its legacy is mass incarceration, wealth inequality, housing discrimination, and other institutions and mechanisms of white superiority. My father’s family was part of it. I am saddened by my ancestors’ participation in slavery. Tracing my ancestry, I found documents confirming that my great-great-grandfather owned slaves. If the records I’ve found are indicative it appears that he had few, mostly devoted to household ...
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