No. 8 - Jessica Lea Mayfield - Sorry is Gone (ATO) - The SPEW countdown continues for the best of 2017.

Here we are, at No. 8. I first fell for this album on a drive home from Topeka on Stull road on a rather crisp, but sunny and lovely Saturday afternoon. I don't hate Topeka. Not at all. I don't live there either. They do have a Barnes & Noble, where you can buy magazines no longer available in dear old Lawrence.

But enough about that. Here's the review I wrote shortly after that invigorating drive. Sorry is Gone wore well as the year wore on. And I stand by my comments from this October review.

Enjoy!

https://spewrocks.blogspot.com/2017/10/jessica-lea-mayfields-unapologetic.html

Comments

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The Dream Syndicate make a pretty awesome new album. Let us now praise not all that famous men (and a woman) ...

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Cancer Rising, Goodnight Grant, So Long Jessi

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John Murry, gutter Gothic poet from Tupelo.

A call went out from central casting for a singer-songwriter. A particular sort. The call out read as thus: Wanted, man in black type figure, roots in the Deep South, profound experience with drugs and heartbreak, think Flannery O’Connor protagonist who time warps into a Lou Reed fan. John Murry applied. He got the job. All other interviews were canceled. Based on his previous solo recording The Graceless Age , his previous work with Memphis legend/recluse Bob Frank, and his resemblance to Hazel Motes … well, it was no contest. The first thing I had to get over about John Murry was how fucking much he sounds like his friend Chuck Prophet. I think they must share a larynx. The second thing I had to get over about John Murry was how close in sensibility he is to Nick Cave. The American South and Australia have a lot in common. Most of it ugly, but damned if it doesn’t make for great lore. Okay, I’m over it, whatever it is. A Short History of Decay is a collection that ins

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